Glade, Acoustic, and West Holts amongst some of the stages to benefit from XTA and MC² technologies…
As ever, this year’s edition of Glastonbury demonstrated why it remains one of the world’s best-loved music festivals. Major headliners and previously undiscovered gems all contributed to a huge celebration of musical diversity and unforgettable experiences for those in attendance.
XTA and MC² amplification, enjoyed a strong presence at the event, with a number of audio suppliers choosing the brands’ robust and ultra-dependable units for what can be an often challenging environment.
At the Glade Stage, which boasted a stunning lineup of high-profile artists, Stefan Imhof of Audio Plus deployed XTA’s DPA100 to power a Funktion One front of house system and monitors. A total of seventeen DPA100 powered the Funktion One Vero, Vero VX, F124 subs, frontfills and sidefills, with a further twelve units powering the monitors, all controlled via Globcon XTA MC²
Edition control software
Known as the ‘outernational’ rhythm hub of Glastonbury, the West Holt Stage was also a magnet for festival-goers seeking an eclectic array of sets from artists from around the globe. RG Jones in collaboration with 22live delivered all the audio for the stage, with Paul Hatt of CS audio providing 48 channels of splits via XTA DS8000 (2U, 8 input to 32 output mic/line distribution system) between monitors, front of house and broadcast.
XTA MC²’s Richard Fleming was present at the event and enjoyed the action:
“Once again it was great to see the quality and reliability of our products being trusted by providers in the Glastonbury pressure cooker. The reaction of artists and their teams to the audio quality they experienced on the Glade Stage was so positive – it’s great to be a small cog in that machine and play a part in delivering such fantastic music. Equally gratifying is to know that everybody watching the West Holts on the TV was hearing audio that had reached them via XTA DS8000!
“A mention in dispatches must also go out for our MX36 console switching system which
was also hard at work around the site, including units spotted at both the Glade and Acoustic Stages. Enabling multiple consoles to be patched directly to front of house, a feature of the MX36 is that it allows all inputs to be monitored/line checked from its front panel meter and headphone socket prior to routing to the system – very useful for keeping things running smoothly in a festival setting. Our good friends at EM Acoustics supplied all the kit for the Acoustic Stage which was run by Tom de Brabant.”
Their presence on major stages at Glastonbury 2024 once again underline the quality and reliability that have made XTA and MC²’s innovative products go-to technologies for so many leading audio providers around the world.
